Jordan Bester

“I’m also very skeptical of a group discussion with more than eight people in the group. 10 is the max I’d recommend. Any higher than that, and there’s just no way everyone will feel like they have an opportunity to contribute. If you’re okay with more people passively participating, you can go bigger."

More important, they don’t offer an employer any solutions, because resumes are purely historical. Who cares what you did two years ago, if you can’t convince me you can do this job now?

- A high-value community exists first and foremost to benefit its members. While it will ultimately benefit your brand to have a high-value community, it will be immediately obvious if you are creating “community” for a sole, self-serving purpose.

Projects like Ceramic allow users to take their data with them across the internet. Two contributors highlighted this open-source protocol, describing how it could change how we build and interact with on-chain applications.

- Keep all the elements of your event experience in one place. “If you use multiple platforms that people have to find links for and log into, you’ll quickly lose engagement,” he says.

Timestamps: 0:00 Intro 4:20 Revolutionizing the Music Industry8:45 Decentralized Streaming14:38 Security Laws20:55 Death Bats Club25:16 Learnings From NFT Launch30:55 Fanbase Education 33:18 Financial Breakdown40:13 Why Matt Prefers NFTs to Patreon48:43 NFT Ticketing53:00 Should All Artists Do NFTs? 57:02 Music Monopolies? 1:03:05 Matt’s NFT... See more

Takeaway notes:  - Build out your collector base by getting involved in web3, ask questions - see how you can help people. - Music NFTs needs more experience/exposure on secondary markets. - We need new ways to consume Music NFTs ( example: when Music NFT is purchased, how will I consume it? ) - " Mint Season 4 episode 22 welcomes music NFT... See more