Isabelle Levent
@isabellelevent
Isabelle Levent
The Lab’s mission is also to develop a critical literacy that can help cultural institutions approach AI technologies as advanced and multilayered media. While reliant on the highly specialised theoretical work needed to untangle issues such as ‘distributed authorship’ (Ascott 2005; Zeilinger 2021) involved in artistic research, the Lab does not
... See moreCreative AI Lab • Creative—Critical—Constructive —Collaborative—Computational: Towards a C5 model in Creative AI
Academically, this is a collision of everything from computer science and art history to media studies to disruptive innovation to labor economics, and no one of these disciplines seems sufficient to cover the topic.
Aaron Hertzmann • When Machines Change Art
Like oil and land, data are a common that is commodified by private actors for profits. The commons being commodified is our essence as humans: our interactions with society at large.
Hanlin Li • From My Data to Our Data: A Proposal to Equitably Distribute Wealth in a Digital Economy
/cdn.vox-cdn.com/uploads/chorus_asset/file/12907051/akrales_180911_2943_0002.jpg)
Copyright and
However, we often found that it was the unexpected differences between the prompt and the generated image’s interpretation of it that yielded new insight for and excitement from participants.
Dava Newman • When happy accidents spark creativity: Bringing collaborative speculation to life with generative AI
Philosophy and
the reconfiguration of culture as a domain of not just human-made meanings but also machinic calculation
Creative AI Lab • Creative—Critical—Constructive —Collaborative—Computational: Towards a C5 model in Creative AI
On Bullshit
The document discusses the nature and prevalence of bullshit, distinguishing it from lying and exploring its connection to skepticism and the pursuit of personal sincerity.
www2.csudh.eduTech and Society and