Isabelle Levent

If it was possible to deduce how much of an influence each individual image has on the final outcome (and the owner of each image was known and labelled, which I currently doubt happens), would it be simple to compensate people then?

A poem, I would say, is the site where “hollow and void” poetry is tactically deployed in a physical and social context, in order to achieve a particular effect. The poem unites poetry with an intention. So yes, a language model can indeed (and can only) write poetry, but only a person can write a poem.

Academically, this is a collision of everything from computer science and art history to media studies to disruptive innovation to labor economics, and no one of these disciplines seems sufficient to cover the topic. 

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”

“Our business has never been about the ease of creating imagery or the resulting volume. It is about connecting and cutting through.”

A recurring theme in participant feedback was that the language model lacked taste and intentionality...In contrast, good writers are skilled not only in producing but also discerning good language. In other words, they have taste, the ability to decide why one sentence is interesting while another is not.

It becomes a question of who created a certain work of art.