Isabelle Levent
@isabellelevent
Isabelle Levent
What’s difficult is to state our aesthetic values clearly enough to enable the program itself to make the evaluation at each generation.
Margaret Boden • Creativity in a Nutshell
The Lab’s mission is also to develop a critical literacy that can help cultural institutions approach AI technologies as advanced and multilayered media. While reliant on the highly specialised theoretical work needed to untangle issues such as ‘distributed authorship’ (Ascott 2005; Zeilinger 2021) involved in artistic research, the Lab does not
... See moreCreative AI Lab • Creative—Critical—Constructive —Collaborative—Computational: Towards a C5 model in Creative AI
Copyright and
Maybe the creative work is now to figure out ways to nudge AIs into being weird and interesting rather than producing inane imitations of the most ordinary human writing
Allison Parish • Language models can only write poetry
OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”
John Herrman • Why Artificial Intelligence Often Feels Like Magic
As more artists gain access to AI and take up the tools, artists will have a whole new look — both how they look making art and how their art develops.
Steven Vargas • How AI-generated art is changing the concept of art itself
Strict synonymy, or even a drop-in replacement word, is not essential for most writers, who instead may use a thesaurus to expand an idea or discover a new one.