Isabelle Levent

We find that models learn just as fast with many prompts that are intentionally irrelevant or even pathologically misleading as they do with instructively “good” prompts. Further, such patterns hold even for models as large as 175 billion parameters (Brown et al., 2020) as well as the recently proposed instruction-tuned models which are trained on

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”

I think that the language model’s failure to dismiss the class results from a slightly different cause than my student’s failure to dismiss the class with the same utterance. While the student’s failure arises from their lack of authority, the model’s failure results from the fact that it functions more like a  citation  of language rather than a

As more artists gain access to AI and take up the tools, artists will have a whole new look — both how they look making art and how their art develops.

Many methods for creating these models don't (and to be honest can't) attach the name, website and other details of every image and piece of text used to a create a new image in the metadata to every step of the process.

A poem, I would say, is the site where “hollow and void” poetry is tactically deployed in a physical and social context, in order to achieve a particular effect. The poem unites poetry with an intention. So yes, a language model can indeed (and can only) write poetry, but only a person can write a poem.