Isabelle Levent

As part of this model where the ‘back-end’ gets more attention than the artefact, a systematic dismantling of the myth of ‘the artist’ as a stand-alone genius, standing above, or aside from the world, needs to be enacted.

Whatever the size of the space, someone who comes up with a new idea within that thinking-style is being creative in the second, exploratory, sense. If the new idea is surprising not just in itself but as an example of an unexpected general  type , so much the better.

Thoughtful attention to detail requires discipline and objectivity. It entails accepting standards and limitations that forbid the indulgence of impulse or whim. It is this selflessness that, in connection with bullshit, strikes us as inapposite. But in fact it is not out of the question at all. The realms of advertising and of public relations,

A poem, I would say, is the site where “hollow and void” poetry is tactically deployed in a physical and social context, in order to achieve a particular effect. The poem unites poetry with an intention. So yes, a language model can indeed (and can only) write poetry, but only a person can write a poem.

“Our business has never been about the ease of creating imagery or the resulting volume. It is about connecting and cutting through.”

The issue here does not concern how many jobs will be created, how much income generated, how many pollutants added... Rather, the issue has to do with the ways in which choices about technology have important consequences for the form and quality of human associations.

Much of the discussion this year is about text-to-image, but I believe this is a temporary stage; these things are going to continue evolving very quickly.