Isabelle Levent
@isabellelevent
Isabelle Levent
@isabellelevent

Copyright and
art and
As part of this model where the ‘back-end’ gets more attention than the artefact, a systematic dismantling of the myth of ‘the artist’ as a stand-alone genius, standing above, or aside from the world, needs to be enacted.
Copyright and
Whatever the size of the space, someone who comes up with a new idea within that thinking-style is being creative in the second, exploratory, sense. If the new idea is surprising not just in itself but as an example of an unexpected general type , so much the better.
Many methods for creating these models don't (and to be honest can't) attach the name, website and other details of every image and piece of text used to a create a new image in the metadata to every step of the process.
The “story seeds” control allowed writers to experiment with using Wordcraft to generate ideas at the very beginning of the writing process. MT described the “story seeds” control as giving her “a place on my computer to go that looked like a blank page but did not behave as such.” E
The deepest cases of creativity involve someone’s thinking something which, with respect to the conceptual spaces in their minds, they couldn’t have thought before. The supposedly impossible idea can come about only if the creator changes the pre-existing style in some way. It must be tweaked, or even radically transformed, so that thoughts are
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