Isabelle Levent

If I have an idea for a novel, but the computer writes most of it, is it still my story? This question will not be answered with numbers about how many words I or the computer wrote. It’s going to be answered culturally; it’s going to be a feeling we have about where authenticity or truth really lies.

A recurring theme in participant feedback was that the language model lacked taste and intentionality...In contrast, good writers are skilled not only in producing but also discerning good language. In other words, they have taste, the ability to decide why one sentence is interesting while another is not.

New art-making technologies change art in consistent ways, and studying the past helps us understand how things will change in the future.

If it was possible to deduce how much of an influence each individual image has on the final outcome (and the owner of each image was known and labelled, which I currently doubt happens), would it be simple to compensate people then?

“There are real concerns with respect to the copyright of outputs from these models and unaddressed rights issues with respect to the imagery, the image metadata and those individuals contained within the imagery,” said Peters.

My lesson from these two examples is that it might be possible to make prompting “invisible” by making it part of the UI, and finetuning output for as much of the writer’s context as possible to make it more useful. Latency matters, and cost matters, which are wonderful because these tend to be “regular engineering” type problems rather than AI pr

For a computer to make a subtle combinational joke, never mind to assess its tastefulness, would require, first, a data-base with a richness comparable to ours, and, second, methods of link-making (and link-evaluating) comparable in subtlety with ours.