Isabelle Levent

“There are real concerns with respect to the copyright of outputs from these models and unaddressed rights issues with respect to the imagery, the image metadata and those individuals contained within the imagery,” said Peters.

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”

In many instances, to say that some technologies are inherently political is to say that certain widely accepted reasons of practical necessity–especially the need to maintain critical technological systems as smoothly working entities–have tended to eclipse other sorts of moral and political reasoning.

the reconfiguration of culture as a domain of not just human-made meanings but also machinic calculation

Crawford elaborated in an interview. “When you have this enchanted determinism, you say, we can’t possibly understand this. And we can’t possibly regulate it when it’s clearly so unknown and such a black box,” she says. “And that’s a trap.”

In particular, anthropomorphizing the AI system mitigates the responsibility to the artist, while bolstering the responsibility of the technologist. Critically, this suggests that the responsibility that will be allocated to individuals in the creation of AI art will be dependent on the choice of language and framing used to discuss it