Isabelle Levent

The deepest cases of creativity involve someone’s thinking something which, with respect to the conceptual spaces in their minds, they  couldn’t  have thought before. The supposedly impossible idea can come about only if the creator changes the pre-existing style in some way. It must be tweaked, or even radically transformed, so that thoughts are

If it was possible to deduce how much of an influence each individual image has on the final outcome (and the owner of each image was known and labelled, which I currently doubt happens), would it be simple to compensate people then?

Even when these paragraphs fail, they make her interested in the story again. She’s curious about this computer-generated text, and it reignites her interest in her own writing.

Whereas if you put them in a group, they’ll go “dog” and someone else will go “space dog” and someone else will go “Aztec space dog,” and then all of a sudden, people understand the possibilities, and you’re creating this augmented imagination — an environment where people can learn and play with this new capacity. So we found that people really

I think that the language model’s failure to dismiss the class results from a slightly different cause than my student’s failure to dismiss the class with the same utterance. While the student’s failure arises from their lack of authority, the model’s failure results from the fact that it functions more like a  citation  of language rather than a

I am utterly disgusted. If you really want to make creepy stuff, you can go ahead and do it. I would never wish to incorporate this technology into my work at all. I strongly feel that this is an insult to life itself

If I have an idea for a novel, but the computer writes most of it, is it still my story? This question will not be answered with numbers about how many words I or the computer wrote. It’s going to be answered culturally; it’s going to be a feeling we have about where authenticity or truth really lies.