Isabelle Levent

For a computer to make a subtle combinational joke, never mind to assess its tastefulness, would require, first, a data-base with a richness comparable to ours, and, second, methods of link-making (and link-evaluating) comparable in subtlety with ours. 

A poem, I would say, is the site where “hollow and void” poetry is tactically deployed in a physical and social context, in order to achieve a particular effect. The poem unites poetry with an intention. So yes, a language model can indeed (and can only) write poetry, but only a person can write a poem.

New art-making technologies change art in consistent ways, and studying the past helps us understand how things will change in the future.

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”

Maybe the creative work is now to figure out ways to nudge AIs into being weird and interesting rather than producing inane imitations of the most ordinary human writing

With so much focus on creation, few systems consider revision. Revision—this is where the average writer gets the most outside help.