Isabelle Levent

The “story seeds” control allowed writers to experiment with using Wordcraft to generate ideas at the very beginning of the writing process. MT described the “story seeds” control as giving her “a place on my computer to go that looked like a blank page but did not behave as such.” E

The Lab’s primary focus is on the ways in which artists and designers are adopting, adapting and remaking AI processes, building their own datasets and reaching into the ‘grey box’ of AI technologies. 

The issue here does not concern how many jobs will be created, how much income generated, how many pollutants added... Rather, the issue has to do with the ways in which choices about technology have important consequences for the form and quality of human associations.

The deepest cases of creativity involve someone’s thinking something which, with respect to the conceptual spaces in their minds, they  couldn’t  have thought before. The supposedly impossible idea can come about only if the creator changes the pre-existing style in some way. It must be tweaked, or even radically transformed, so that thoughts are

Instead, I’d like us to ask: in whose voice do our machines write? What voices do they obfuscate? Where do their words come from? In short, I’d like us to ask questions about power, and the ways in which it functions through and around language. 

Indeed, AI is a diffuse term that corresponds to a web of human actors and computational processes interacting in complex ways