Isabelle Levent

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”

I think that the language model’s failure to dismiss the class results from a slightly different cause than my student’s failure to dismiss the class with the same utterance. While the student’s failure arises from their lack of authority, the model’s failure results from the fact that it functions more like a  citation  of language rather than a

What’s difficult is to state our aesthetic values clearly enough to enable the program itself to make the evaluation at each generation.

A couple participants found success using the chatbot as a convenient search engine alternative (KL, WT). KL wrote: “It’s kind of great to use the chat interface and treat LaMDA as a thesaurus, quote finder, and general research assistant.”

“There are real concerns with respect to the copyright of outputs from these models and unaddressed rights issues with respect to the imagery, the image metadata and those individuals contained within the imagery,” said Peters.

Even when these paragraphs fail, they make her interested in the story again. She’s curious about this computer-generated text, and it reignites her interest in her own writing.

As more artists gain access to AI and take up the tools, artists will have a whole new look — both how they look making art and how their art develops.