Isabelle Levent

Much of the discussion this year is about text-to-image, but I believe this is a temporary stage; these things are going to continue evolving very quickly.

Even when these paragraphs fail, they make her interested in the story again. She’s curious about this computer-generated text, and it reignites her interest in her own writing.

As more artists gain access to AI and take up the tools, artists will have a whole new look — both how they look making art and how their art develops.

Like oil and land, data are a common that is commodified by private actors for profits. The commons being commodified is our essence as humans: our interactions with society at large.

In the course of a year, the tech industry’s dreary post-social, post-crypto interregnum was rapidly supplanted — largely as the result of public-facing efforts by OpenAI, which is reportedly in talks with Microsoft about a potential $10 billion investment — by a story about inevitable technologies that are  so  transformat

A lot of the famous artists who use the platform, they’re all saying the same thing, and it’s really interesting. They say, “I feel like Midjourney is an art student, and it has its own style, and when you invoke my name to create an image, it’s like asking an art student to make something inspired by my art. And generally, as an artist, I want peo

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”