Isabelle Levent
@isabellelevent
Isabelle Levent
The Lab’s primary focus is on the ways in which artists and designers are adopting, adapting and remaking AI processes, building their own datasets and reaching into the ‘grey box’ of AI technologies.
Creative AI Lab • Creative—Critical—Constructive —Collaborative—Computational: Towards a C5 model in Creative AI
Our intuitive moral understanding of actors and transgressions may be at odds with the inherent complexity of AI systems.
Sydney Levine • Who gets credit for AI-generated art? – MIT Media Lab
Indeed, AI is a diffuse term that corresponds to a web of human actors and computational processes interacting in complex ways
Sydney Levine • Who gets credit for AI-generated art? – MIT Media Lab
My lesson from these two examples is that it might be possible to make prompting “invisible” by making it part of the UI, and finetuning output for as much of the writer’s context as possible to make it more useful. Latency matters, and cost matters, which are wonderful because these tend to be “regular engineering” type problems rather than AI
... See moreSwyx • Why "Prompt Engineering" and "Generative AI" are overhyped
Hayao Miyazaki Calls Artificial Intelligence Animation ‘An Insult To Life Itself’
Vikram Murthiindiewire.com
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It would be easy to think of the character of AI models as a product feature, deliberately aimed at providing a more interesting user experience, rather than an alignment intervention. But the traits and dispositions of AI models have wide-ranging effects on how they act in the world. They determine how models react to new and difficult situations,... See more
Claude’s Character
A much better way of thinking about them is as a technology that allows humans to access information from many other humans and use that information to make decisions.
Julien Crockett • How to Raise Your Artificial Intelligence: A Conversation With Alison Gopnik and Melanie Mitchell
on metaphors for LLMs
As part of this model where the ‘back-end’ gets more attention than the artefact, a systematic dismantling of the myth of ‘the artist’ as a stand-alone genius, standing above, or aside from the world, needs to be enacted.