Isabelle Levent

I am utterly disgusted. If you really want to make creepy stuff, you can go ahead and do it. I would never wish to incorporate this technology into my work at all. I strongly feel that this is an insult to life itself

In the course of a year, the tech industry’s dreary post-social, post-crypto interregnum was rapidly supplanted — largely as the result of public-facing efforts by OpenAI, which is reportedly in talks with Microsoft about a potential $10 billion investment — by a story about inevitable technologies that are  so  transformative,  so  incomprehensibl

Instead, I’d like us to ask: in whose voice do our machines write? What voices do they obfuscate? Where do their words come from? In short, I’d like us to ask questions about power, and the ways in which it functions through and around language. 

In many instances, to say that some technologies are inherently political is to say that certain widely accepted reasons of practical necessity–especially the need to maintain critical technological systems as smoothly working entities–have tended to eclipse other sorts of moral and political reasoning.

The deepest cases of creativity involve someone’s thinking something which, with respect to the conceptual spaces in their minds, they  couldn’t  have thought before. The supposedly impossible idea can come about only if the creator changes the pre-existing style in some way. It must be tweaked, or even radically transformed, so that thoughts are

Although the humans involved in the creation of Edmond de Belamy were essentially cut out of the art’s creation narrative, the AI itself was often spoken about as having human-like characteristics.