Isabelle Levent
@isabellelevent
Isabelle Levent
Research talk: Prompt tuning: What works and what's next
youtube.comPrompting and
Much of the discussion this year is about text-to-image, but I believe this is a temporary stage; these things are going to continue evolving very quickly.
Aaron Hertzmann • When Machines Change Art
The political scientist Henry Farrell has argued that we’ve had artificial intelligences before in the form of markets and states. A market is just a big information-processing, decision-making device. So, in a funny way, anytime I see that something costs $4.99 and I pay it, I’m giving up a kind of autonomy to the force of the market, right? I’m... See more
Julien Crockett • How to Raise Your Artificial Intelligence: A Conversation With Alison Gopnik and Melanie Mitchell
If it was possible to deduce how much of an influence each individual image has on the final outcome (and the owner of each image was known and labelled, which I currently doubt happens), would it be simple to compensate people then?
Olu • Is using Lensa art theft? | The ethics of AI generated art
Whatever the size of the space, someone who comes up with a new idea within that thinking-style is being creative in the second, exploratory, sense. If the new idea is surprising not just in itself but as an example of an unexpected general type , so much the better.
Margaret Boden • Creativity in a Nutshell
“There are real concerns with respect to the copyright of outputs from these models and unaddressed rights issues with respect to the imagery, the image metadata and those individuals contained within the imagery,” said Peters.
James Vincent • Getty Images bans AI-generated content over fears of legal challenges
On Bullshit
The document discusses the nature and prevalence of bullshit, distinguishing it from lying and exploring its connection to skepticism and the pursuit of personal sincerity.
www2.csudh.eduTech and Society and
Imagine an art-lover at an exhibition entitled ‘Dots 2008’. He speaks to two artists, each displaying a painting. In both cases, the art-lover cannot see past the seemingly random arrangement of dots of paint. He mentions this to the first artist, who says: “Oh, no, they’re not randomly placed. Each dot represents a friend of mine. The colour of
... See moreSimon Colton • 404 Not Found
They will shade our constant submissions to the vast digital commons, intentional or consensual or mandatory, with the knowledge that every selfie or fragment of text is destined to become a piece of general-purpose training data for the attempted automation of everything. They will be used on people in extremely creative ways, with and without
... See more