Isabelle Levent

In particular, anthropomorphizing the AI system mitigates the responsibility to the artist, while bolstering the responsibility of the technologist. Critically, this suggests that the responsibility that will be allocated to individuals in the creation of AI art will be dependent on the choice of language and framing used to discuss it

Indeed, AI is a diffuse term that corresponds to a web of human actors and computational processes interacting in complex ways

In the course of a year, the tech industry’s dreary post-social, post-crypto interregnum was rapidly supplanted — largely as the result of public-facing efforts by OpenAI, which is reportedly in talks with Microsoft about a potential $10 billion investment — by a story about inevitable technologies that are  so  transformative,  so  incomprehensibl

A recurring theme in participant feedback was that the language model lacked taste and intentionality...In contrast, good writers are skilled not only in producing but also discerning good language. In other words, they have taste, the ability to decide why one sentence is interesting while another is not.

Maybe the creative work is now to figure out ways to nudge AIs into being weird and interesting rather than producing inane imitations of the most ordinary human writing

Our intuitive moral understanding of actors and transgressions may be at odds with the inherent complexity of AI systems.

There are a couple reasons why Wordcraft may have struggled with style and voice... Another reason could have been limitations of the underlying model. LaMDA and other similar language models are trained to be most confident on the kind of text they see most often–typically internet data. However, professional creative writers are usually writing