Isabelle Levent
@isabellelevent
Isabelle Levent
@isabellelevent
A lot of the famous artists who use the platform, they’re all saying the same thing, and it’s really interesting. They say, “I feel like Midjourney is an art student, and it has its own style, and when you invoke my name to create an image, it’s like asking an art student to make something inspired by my art. And generally, as an artist, I want
... See moreThoughtful attention to detail requires discipline and objectivity. It entails accepting standards and limitations that forbid the indulgence of impulse or whim. It is this selflessness that, in connection with bullshit, strikes us as inapposite. But in fact it is not out of the question at all. The realms of advertising and of public relations,
... See moreThey thought it would be particularly useful for writing in a certain voice or character, or for coming up with thematically exciting words. They wondered what kind of thesaurus would come from a corpus of nautical novels (like Moby Dick)
The Lab’s mission is also to develop a critical literacy that can help cultural institutions approach AI technologies as advanced and multilayered media. While reliant on the highly specialised theoretical work needed to untangle issues such as ‘distributed authorship’ (Ascott 2005; Zeilinger 2021) involved in artistic research, the Lab does not
... See moreIn particular, anthropomorphizing the AI system mitigates the responsibility to the artist, while bolstering the responsibility of the technologist. Critically, this suggests that the responsibility that will be allocated to individuals in the creation of AI art will be dependent on the choice of language and framing used to discuss it
A poem, I would say, is the site where “hollow and void” poetry is tactically deployed in a physical and social context, in order to achieve a particular effect. The poem unites poetry with an intention. So yes, a language model can indeed (and can only) write poetry, but only a person can write a poem.
“Our business has never been about the ease of creating imagery or the resulting volume. It is about connecting and cutting through.”
If it was possible to deduce how much of an influence each individual image has on the final outcome (and the owner of each image was known and labelled, which I currently doubt happens), would it be simple to compensate people then?
Second, we should create a legal regime that can make our data’s collective value something we can bargain over as a group.