Isabelle Levent

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”

User-generated content platforms were a huge source for the image data. WordPress-hosted blogs on wp.com and wordpress.com represented 819k images together, or 6.8% of all images. Other photo, art, and blogging sites included 232k images from Smugmug, 146k from Blogspot, 121k images were from Flickr, 67k images from DeviantArt, 74k from Wikimedia,

I am utterly disgusted. If you really want to make creepy stuff, you can go ahead and do it. I would never wish to incorporate this technology into my work at all. I strongly feel that this is an insult to life itself

As part of this model where the ‘back-end’ gets more attention than the artefact, a systematic dismantling of the myth of ‘the artist’ as a stand-alone genius, standing above, or aside from the world, needs to be enacted.

In many instances, to say that some technologies are inherently political is to say that certain widely accepted reasons of practical necessity–especially the need to maintain critical technological systems as smoothly working entities–have tended to eclipse other sorts of moral and political reasoning.

For a computer to make a subtle combinational joke, never mind to assess its tastefulness, would require, first, a data-base with a richness comparable to ours, and, second, methods of link-making (and link-evaluating) comparable in subtlety with ours.