Isabelle Levent

In the course of a year, the tech industry’s dreary post-social, post-crypto interregnum was rapidly supplanted — largely as the result of public-facing efforts by OpenAI, which is reportedly in talks with Microsoft about a potential $10 billion investment — by a story about inevitable technologies that are  so  transformative,  so  incomprehensibl

It becomes a question of who created a certain work of art.

A poem, I would say, is the site where “hollow and void” poetry is tactically deployed in a physical and social context, in order to achieve a particular effect. The poem unites poetry with an intention. So yes, a language model can indeed (and can only) write poetry, but only a person can write a poem.

The Lab’s primary focus is on the ways in which artists and designers are adopting, adapting and remaking AI processes, building their own datasets and reaching into the ‘grey box’ of AI technologies. 

The deepest cases of creativity involve someone’s thinking something which, with respect to the conceptual spaces in their minds, they  couldn’t  have thought before. The supposedly impossible idea can come about only if the creator changes the pre-existing style in some way. It must be tweaked, or even radically transformed, so that thoughts are

Although the humans involved in the creation of Edmond de Belamy were essentially cut out of the art’s creation narrative, the AI itself was often spoken about as having human-like characteristics.