Independent internet-native creators leverage the internet’s frictionless content creation and distribution, but they’re still trapped by traditional business models like subscriptions and advertising.
A subscription model is based on the promise of the production of future gated content. A publication or creator is paid to continue production, not ... See more
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The feeling after a release sells out is euphoric. The kind of clear-cut validation that’s rare for creative people. When we’ve spoken with creators after their Metalabel drops have sold out they’ve felt celebrated and seen. We get to put our imposter syndrome aside and enjoy the moment.
But beware! We should not always aim to sell out. As we’ve lea... See more
As a country, it seems that we’ve conflated the debate about how to redistribute prosperity with a debate about whether we should have prosperity at all. We can afford to have the redistribution debate only because we have the prosperity, and we have prosperity because of our combination of talent, resources, technology, and a rule of law that prot... See more
When content production and distribution is infinite, the important aspect is its primary function in crafting and proliferating culture*.* In other words, the value of content today comes primarily from its use in cultural production.
Her cookbooks, in turn, offer others their own chance. Performance, after all, manages presence and absence with its is-and-is-not enactments. Recipe as script. My own favorite genre comparison for recipe collections, though, is not a script or a manual, and not the commonly invoked novel or history or memoir—though cookbooks bear affinity to all o... See more