Lisa Grimm

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Make the Internet Fun Again

Slop, Creative Destruction, and What's Next for the Internet

Jul 16

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What's also interesting here is the mental model shift: People typically mint for a combination of patronage and profit—they want to support creators and the work they want to see more of in the world, and minting has traditionally been a way to do that, with provenance to prove it. However, there's also the desire to potentially profit from being... See more

The feeling after a release sells out is euphoric. The kind of clear-cut validation that’s rare for creative people. When we’ve spoken with creators after their Metalabel drops have sold out they’ve felt celebrated and seen. We get to put our imposter syndrome aside and enjoy the moment.

But beware! We should not always aim to sell out. As we’ve... See more

Your audience knows better than anyone else what you should be posting.

Loved this description featured in ActionDigest from investor Chris Paik re: navigating a major innovation period in tech, “each time a new shift occurs, it is analogous to the formation of an unstable radioactive isotope. The radioactivity throws off a huge amount of energy in the form of capturable enterprise value, but is subject to half-life... See more

A dream hire for me would be a hyper social, hyper considerate relationship manager (with great taste) who could actually form bonds with influencers and know their birthdays and communicate and do thoughtful things outside of campaigns, when we’re asking them for something in return. It seems like relationship management is the most important... See more

Secrecy is sexy. I like my secret life that nobody else gets access to. There’s no judgment, no performance, no worrying about what to wear, or if the table is messy. Feeling relaxed, safe, healthy, and hot is a very inspiring headspace.

Independent internet-native creators leverage the internet’s frictionless content creation and distribution, but they’re still trapped by traditional business models like subscriptions and advertising.

A subscription model is based on the promise of the production of future gated content. A publication or creator is paid to continue production, not... See more