Vibrant matter

“I was struck by what Stephen Jay Gould called the ‘excruciating complexity and intractability’ of nonhuman bodies,” Bennett writes. “But, in being struck, I realized that the capacity of these bodies was not restricted to a passive ‘intractability’ but also included the ability to make things happen, to produce effects.” Bennett likes to reference... See more

a meditative yet exuberant journey through the world within and the world without, inspired by the Japanese notion of tsuumogami : the soul, or spirit, that inanimate objects are believed to acquire after being of service in the world for a hundred years.

In 1917, the sociologist Max Weber argued that “the fate of our times is characterized by rationalization and intellectualization and, above all, by the disenchantment of the world.” Ever since, we’ve tended to think of ourselves as living in a disenchanted world, from which all magic has been stripped. Bennett asks us to entertain the possibility ... See more

These artworks have the capacity to alter our perceptions: of ourselves, certain concepts, the history or present or future of the world. Many of my favorite visual artworks reorient my perception of beauty (making a beautiful thing boring, making an ugly thing interesting); many of my favorite literary artworks change my perception of morality (by... See more

I saw a tree whose every little branch expanded and swelled with sympathy for the sun,” she writes. “I was made distinctly aware of the presence of something kindred to me.” Ailanthus altissima is often considered an invasive species. Bennett’s musings have an ethical component: if a nuisance tree, or a dead tree, or a dead rat is my kin, then ever... See more