Now what?…

She told me that twenty years from now, she thinks work will look like waking up in the morning, opening a device, and deciding the character and length of work that you’d like to do: a quick, day’s long project, a year-long commitment, whatever works for you, the worker, in that moment. Everyone a freelancer, everyone in control of the work rhythm

“One of the most satisfying feelings I know — and also one of the most growth-promoting experiences for the other person — comes from my appreciating this individual in the same way that I appreciate a sunset. People are just as wonderful as sunsets if I can let them be. In fact, perhaps the reason we can truly appreciate a sunset is that we cannot

What people forget is a journey to nowhere starts with a single step, too.

Former Secretary of State Colin Powell once remarked that being responsible sometimes means pissing people off.* You have to accept that sometimes people on your team will be mad at you. In fact, if nobody is ever mad at you, you probably aren’t challenging your team enough. The key, as in any relationship, is how you handle the anger. When what yo

Artists do not create contexts; they work within them. Context is the web of complex circumstances in which artists work in relation to their physical environment, historical trends and traditions, social movements, cultural values, intellectual perspectives, personal commitments, and more. Art originates from within a context. Likewise, art is rec

My working definition of art is thus derived in part from both a moderate institutional theory that recognizes the important role that the museum space plays in determining meaning and mediating a history, tradition, and theory of what occurs in that space, and an ecological theory of art that affirms that in its making and viewing, art does someth

art does more than record and reflect the tumultuous realities that present themselves to our senses, or to wonder at them and impose patterns of meaning upon them. It is also a way of marking our brief moment on earth before we hurtle into the past,

for art to serve social imagination, it has to be organised in ways that allow time for it to be absorbed and adapted, so that it becomes an act of co-creation rather than just an act of consumption or an enjoyable way to pass the evening.15 If it is only an object for the passing gaze, then it is, perhaps, bound to fail. Experiences that are share

Like our own imagination, art can wander off, seeking out the edges, the borderlands, the mysteries. Indeed, this autonomy is art’s power and part of its emotional appeal. But this very ability to separate from everyday material life may also make art impotent in trying to shape the world from which it has escaped. At most it can be a nudge or a su