The Creative Mind
the inner workings and challenges of life as a creative
sari and
The Creative Mind
we feel different about the world when we create things
When I watch a Miyazaki film I can’t help but think about his attunement to the world, the presence it requires to transmute the real world into a fantastical one. That’s the interesting contradiction of writers and artists, I suppose: alienation is a necessity, but so is participation. The point of getting better is to be more in the world.
Increasingly, the work that stand out will be more raw and incomplete (because — by definition — new ideas haven’t been optimized because…they are new).
Eno explains:
"[On one end, you have] auto-tune that perfectly puts music into tune…which is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished... See more
Eno explains:
"[On one end, you have] auto-tune that perfectly puts music into tune…which is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished... See more
Evolution is powerful. It gives us the chance to revise, edit and do what works while removing what doesn’t.
Once we realize that there is almost no chance we’ll get it right the first time, we can embrace the opportunity to sign up for better instead of perfect.
Get it wrong the first time.
Then make it better.
Once we realize that there is almost no chance we’ll get it right the first time, we can embrace the opportunity to sign up for better instead of perfect.
Get it wrong the first time.
Then make it better.