Yet what they best represent is the current state of art, where artists must skillfully package themselves as products for buyers to consume.
It’s precisely the kind of work that is uncomfortable for most artists, who by definition concern themselves with what it means to be a person in the world, not what it means to be a brand.
I see two divergent media futures emerging—each based on networks that serve very different groups.
In the first future, our networks serve the technologists who build them, the advertisers that pay for them, and the governments that control them. These networks compete for users in a war for attention by making systems that spit out superficially... See more