making art
It’s easier to recognize beauty than it is to create it. You’re good enough to know that what you’re doing isn’t good, but not good enough to produce something great. When you find yourself in this frustrating limbo, the challenge is to never forget what got you there in the first place. Remember that thing that got you into the game.
Your love.... See more
Your love.... See more
James Clear • Ira Glass and What Every Successful Person Knows, but Never Says
Creative work is hard. And we constantly beat ourselves up for not producing high quantities of high-quality stuff. It’s easy to forget that we’re trying to make this work at a time when we’re oversaturated with connections, and constant, flashing demands. Boring old boundaries have never been more vital. Going into the cave will feel a little cold... See more
In both the art and the business worlds, the difference between the amateurs and the professionals is simple: The professionals know they’re winging it. The amateurs pretend they’re not.
Amanda Palmer • The Art of Asking: How I Learned to Stop Worrying and Let People Help
The artist and the professional, on the other hand, have turned a corner in their minds. They have succeeded in stepping back from themselves. They have grown so bored with themselves and so sick of their petty bullshit
Steven Pressfield • Turning Pro
Art and the artist both suffer most when the artist gets too heavy, too focused on results.
Austin Kleon • Keep Going: a book by Austin Kleon
So the point is to take the work seriously but you don’t take yourself too seriously. There’s a riff about this in Stephen Pressfield’s War of Art, where he talks about how amateurs are too precious with their work: “The professional has learned, however, that too much love can be a bad thing. Too much love can make him choke. The seeming
... See morevisakan veerasamy • Are You Serious?
“A real writer (or artist or entrepreneur) has something to give. She has lived enough and suffered enough and thought deeply enough about her experience to be able to process it into something that is of value to others, even if only as entertainment.”
Steven Pressfield • Nobody Wants to Read Your Sh*t: Why That Is And What You Can Do About It
The amateur's fear eclipses her compassion for others and for herself.