making art

“A real writer (or artist or entrepreneur) has something to give. She has lived enough and suffered enough and thought deeply enough about her experience to be able to process it into something that is of value to others, even if only as entertainment.”

Steven Pressfield • Nobody Wants to Read Your Sh*t: Why That Is And What You Can Do About It

The thing that no one ever tells you about your calling is that it’s boring. Oh, everything is interesting if you’re interested… shut up. Yes, it will be exhilarating and fun and fluid and and natural and meaningful. It will also be tedious. It will hurt. You will encounter obstacle after obstacle until you feel like you’re in a video game with... See more

It’s easier to recognize beauty than it is to create it. You’re good enough to know that what you’re doing isn’t good, but not good enough to produce something great. When you find yourself in this frustrating limbo, the challenge is to never forget what got you there in the first place. Remember that thing that got you into the game.

Your love.... See more

James Clear • What Every Successful Person Knows, But Never Says

So the point is to take the work seriously but you don’t take yourself too seriously. There’s a riff about this in Stephen Pressfield’s War of Art, where he talks about how amateurs are too precious with their work: “The professional has learned, however, that too much love can be a bad thing. Too much love can make him choke. The seeming

visakan veerasamy • Are You Serious?

Creative work is hard. And we constantly beat ourselves up for not producing high quantities of high-quality stuff. It’s easy to forget that we’re trying to make this work at a time when we’re oversaturated with connections, and constant, flashing demands. Boring old boundaries have never been more vital. Going into the cave will feel a little cold... See more

The amateur's fear eclipses her compassion for others and for herself.

Steven Pressfield • Turning Pro

The legendary designer Paula Scher said, “I still [a little over 5 decades into her career] make things that are pretty awful. It’s part of the process. You have periods of tremendous productivity and other periods where you’re fallow. The fallow periods are really important because that’s where you’re figuring something it out. You have to work... See more

Billy Oppenheimer • SIX at 6: Swiss Cheese, in the Heights, Wylie Dufresne, STORY, Owning Your Style, and the Fallow Periods

Art and the artist both suffer most when the artist gets too heavy, too focused on results.