Literary Criticism
Contemporary Literature
Faith Hahn and
Literary Criticism
The inhabitants of /lit/ see themselves as the victim of anti-canon efforts, as the academy has sought to “decolonise” and expand the curriculum over the past decade. And /lit/’s reaction is hardly unreasonable: there’s a difference between great books (well-written, perhaps undiscovered) and Great Books, which stay in the accepted canon because... See more
How 4chan became the home of the elite reader
In some ways, book reviewers, critics, book club hosts, readers, and even the writers themselves, are engaged in a long war against the idea of fiction itself, involving the reverse-engineering and geolocation of various hurts and harms in the psychology of the writer. We are, at least in America, a nation trained in the arts of literary analysis,... See more
Brandon • emotional support trauma plot
I’ve been mainlining Le Guin’s non-fiction writing. It strikes me reading this passage again that she’s bumping up against Harry Frankfurt’s definition of “bullshit.” To paraphrase, that bullshit doesn’t concern itself with the truth—it’s objective is outside the realm of information. I don’t think fiction is bullshit, obviously. But now I’m curious about the qualities of fiction as they relate to the qualities of bullshit.
Literary texts tend to distort the linearity of narrative sequence, and to reproduce the coexistence and simultaneity of interiorized events that resist conventional linear chronology. The narrative thread unravels freely between past and present, between different temporal planes, combining high and low registers, erudite literary references,... See more
Translation as a Practice of Acceptance - Asymptote
Nabokov — Speak, Memory.
alina stefanescu, writer
alinastefanescuwriter.com
Alina Stefanescu's personal library of writing, essays, literary criticism.
She has said she is against “the self-promotion obsessively imposed by the media. This demand for self-promotion diminishes the actual work of art, whatever that art may be...” Thus, she continues to absent herself from the marketing of her work. While acknowledging her position is extreme, she maintains “that a book has to absolutely make it on... See more
GD Dess • “Good books are stunning charges of vital energy” —Elena Ferrante
“The writing of the pose is the literary product of the MFA system and of Instagram in equal measure—it brings writing into the ordinary grueling business of the curation of the self which dominates advanced capitalist culture today.”
GD Dess • On the Cult of Craftism
There’s also an almost unbearable sense of intimacy between author and reader — Céline famously said “what interests me is a direct message to the nervous system.” His total reliance on ellipses forecloses the cheap little tricks used to construct the artifice of what we are told is “good” writing: the strategic period, the melodramatic line break,... See more