Literary Criticism
Contemporary Literature
Faith Hahn and
Literary Criticism
alina stefanescu, writer
alinastefanescuwriter.com
Alina Stefanescu's personal library of writing, essays, literary criticism.
Culture and Imperialism
An exploration of the cultural and literary manifestations of imperialism in 19th and early 20th century Britain and France, and its relationship with the formation of national identity.
oldemc.english.ucsb.eduCulture and Imperialism, Edward Said.
In some ways, book reviewers, critics, book club hosts, readers, and even the writers themselves, are engaged in a long war against the idea of fiction itself, involving the reverse-engineering and geolocation of various hurts and harms in the psychology of the writer. We are, at least in America, a nation trained in the arts of literary analysis,... See more
Brandon • emotional support trauma plot
The redemption arc, in clumsy hands, becomes cheesy and unbelievable, offending good taste more often than not. Granted. But literature has, in the past, found ways to handle this sort of plot delicately, and to great effect. After all, the question of how a person changes ought to absolutely possess a novelist – as a matter of philosophical... See more
The Lost Redemption Arc
I’ve been mainlining Le Guin’s non-fiction writing. It strikes me reading this passage again that she’s bumping up against Harry Frankfurt’s definition of “bullshit.” To paraphrase, that bullshit doesn’t concern itself with the truth—it’s objective is outside the realm of information. I don’t think fiction is bullshit, obviously. But now I’m curious about the qualities of fiction as they relate to the qualities of bullshit.
A reading revolution is taking place on this notorious message board, most famous for alt-right memes, anything-goes chatter, and large-scale coordinated pranks (several hoax bomb threats organised by the site have led to arrests and mass evacuations). Users operate under total anonymity and are subject to bare-bones moderation. Most of the... See more
How 4chan became the home of the elite reader
She has said she is against “the self-promotion obsessively imposed by the media. This demand for self-promotion diminishes the actual work of art, whatever that art may be...” Thus, she continues to absent herself from the marketing of her work. While acknowledging her position is extreme, she maintains “that a book has to absolutely make it on... See more
GD Dess • “Good books are stunning charges of vital energy” —Elena Ferrante
Apropos of nothing.
“The writing of the pose is the literary product of the MFA system and of Instagram in equal measure—it brings writing into the ordinary grueling business of the curation of the self which dominates advanced capitalist culture today.”