Literary Criticism
Contemporary Literature
Faith Hahn and
Literary Criticism
Poetry is an essential part of society—but only as itself and not as a vehicle for something else.
Micah Mattix • The Integrity of Poetry | Micah Mattix
Apropos of nothing.
“The writing of the pose is the literary product of the MFA system and of Instagram in equal measure—it brings writing into the ordinary grueling business of the curation of the self which dominates advanced capitalist culture today.”
GD Dess • On the Cult of Craftism
Houellebecq wore his biography, professional identity, marital status, and psychiatric condition – everything modern society considers intrinsic and defining of the individual – as an amusing costume to be played with and discarded. He frees himself through his work from the straitjacket of ‘identity politics’ which placates its prisoners, like a... See more
Alexander • Poseur
One thinks of Amit Majmudar, Christian Wiman, Tracy K. Smith, Ryan Wilson, and many others. These poets are only rarely published in prestigious publications (or, at least, publications with a prestigious legacy), and the group that should be the biggest supporter of these poets—conservatives—has tended to ignore poetry and the arts. When... See more
Micah Mattix • The Integrity of Poetry | Micah Mattix
Literary texts tend to distort the linearity of narrative sequence, and to reproduce the coexistence and simultaneity of interiorized events that resist conventional linear chronology. The narrative thread unravels freely between past and present, between different temporal planes, combining high and low registers, erudite literary references,... See more
Translation as a Practice of Acceptance - Asymptote
The Lost Redemption Arc
gawker.com
For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.
Anastasia Berg • On the Aesthetic Turn | The Point Magazine
I’ve been mainlining Le Guin’s non-fiction writing. It strikes me reading this passage again that she’s bumping up against Harry Frankfurt’s definition of “bullshit.” To paraphrase, that bullshit doesn’t concern itself with the truth—it’s objective is outside the realm of information. I don’t think fiction is bullshit, obviously. But now I’m curious about the qualities of fiction as they relate to the qualities of bullshit.