Literary Criticism

For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.

The redemption arc, in clumsy hands, becomes cheesy and unbelievable, offending good taste more often than not. Granted. But literature has, in the past, found ways to handle this sort of plot delicately, and to great effect. After all, the question of how a person changes ought to absolutely possess a novelist – as a matter of philosophical... See more

A reading revolution is taking place on this notorious message board, most famous for alt-right memes, anything-goes chatter, and large-scale coordinated pranks (several hoax bomb threats organised by the site have led to arrests and mass evacuations). Users operate under total anonymity and are subject to bare-bones moderation. Most of the... See more

There’s also an almost unbearable sense of intimacy between author and reader — Céline famously said “what interests me is a direct message to the nervous system.” His total reliance on ellipses forecloses the cheap little tricks used to construct the artifice of what we are told is “good” writing: the strategic period, the melodramatic line break,... See more

Literary texts tend to distort the linearity of narrative sequence, and to reproduce the coexistence and simultaneity of interiorized events that resist conventional linear chronology. The narrative thread unravels freely between past and present, between different temporal planes, combining high and low registers, erudite literary references,... See more