Literary Criticism

"Prose-forward,” though, goes a long way toward explaining what books are counted as literary in the real world. Not just as a term that explains what unites the surrealism of Donald Barthelme, the Kmart realism of Ann Beattie, the lush prose of Toni Morrison, and [insert infinite other examples here]. But also what genre authors are counted among... See more

There’s also an almost unbearable sense of intimacy between author and reader — Céline famously said “what interests me is a direct message to the nervous system.” His total reliance on ellipses forecloses the cheap little tricks used to construct the artifice of what we are told is “good” writing: the strategic period, the melodramatic line break,... See more

The inhabitants of /lit/ see themselves as the victim of anti-canon efforts, as the academy has sought to “decolonise” and expand the curriculum over the past decade. And /lit/’s reaction is hardly unreasonable: there’s a difference between great books (well-written, perhaps undiscovered) and Great Books, which stay in the accepted canon because... See more

She has said she is against “the self-promotion obsessively imposed by the media. This demand for self-promotion diminishes the actual work of art, whatever that art may be...” Thus, she continues to absent herself from the marketing of her work. While acknowledging her position is extreme, she maintains “that a book has to absolutely make it on... See more