Literary Criticism

Literary texts tend to distort the linearity of narrative sequence, and to reproduce the coexistence and simultaneity of interiorized events that resist conventional linear chronology. The narrative thread unravels freely between past and present, between different temporal planes, combining high and low registers, erudite literary references,... See more

She has said she is against “the self-promotion obsessively imposed by the media. This demand for self-promotion diminishes the actual work of art, whatever that art may be...” Thus, she continues to absent herself from the marketing of her work. While acknowledging her position is extreme, she maintains “that a book has to absolutely make it on... See more

In some ways, book reviewers, critics, book club hosts, readers, and even the writers themselves, are engaged in a long war against the idea of fiction itself, involving the reverse-engineering and geolocation of various hurts and harms in the psychology of the writer. We are, at least in America, a nation trained in the arts of literary analysis,... See more

"Prose-forward,” though, goes a long way toward explaining what books are counted as literary in the real world. Not just as a term that explains what unites the surrealism of Donald Barthelme, the Kmart realism of Ann Beattie, the lush prose of Toni Morrison, and [insert infinite other examples here]. But also what genre authors are counted among... See more

Houellebecq wore his biography, professional identity, marital status, and psychiatric condition – everything modern society considers intrinsic and defining of the individual – as an amusing costume to be played with and discarded. He frees himself through his work from the straitjacket of ‘identity politics’ which placates its prisoners, like a... See more