Literary Criticism
Contemporary Literature
Faith Hahn and
Literary Criticism
"Prose-forward,” though, goes a long way toward explaining what books are counted as literary in the real world. Not just as a term that explains what unites the surrealism of Donald Barthelme, the Kmart realism of Ann Beattie, the lush prose of Toni Morrison, and [insert infinite other examples here]. But also what genre authors are counted among... See more
Lincoln Michel • On "Prose-Forward" Writing and the Pleasures of Different Genre Conversations
Apropos of nothing.
Houellebecq wore his biography, professional identity, marital status, and psychiatric condition – everything modern society considers intrinsic and defining of the individual – as an amusing costume to be played with and discarded. He frees himself through his work from the straitjacket of ‘identity politics’ which placates its prisoners, like a... See more
Alexander • Poseur
Poetry is an essential part of society—but only as itself and not as a vehicle for something else.
Micah Mattix • The Integrity of Poetry | Micah Mattix
Apropos of nothing.
The inhabitants of /lit/ see themselves as the victim of anti-canon efforts, as the academy has sought to “decolonise” and expand the curriculum over the past decade. And /lit/’s reaction is hardly unreasonable: there’s a difference between great books (well-written, perhaps undiscovered) and Great Books, which stay in the accepted canon because... See more
How 4chan became the home of the elite reader
Culture and Imperialism
An exploration of the cultural and literary manifestations of imperialism in 19th and early 20th century Britain and France, and its relationship with the formation of national identity.
oldemc.english.ucsb.eduCulture and Imperialism, Edward Said.
“The writing of the pose is the literary product of the MFA system and of Instagram in equal measure—it brings writing into the ordinary grueling business of the curation of the self which dominates advanced capitalist culture today.”
GD Dess • On the Cult of Craftism
I’ve been mainlining Le Guin’s non-fiction writing. It strikes me reading this passage again that she’s bumping up against Harry Frankfurt’s definition of “bullshit.” To paraphrase, that bullshit doesn’t concern itself with the truth—it’s objective is outside the realm of information. I don’t think fiction is bullshit, obviously. But now I’m curious about the qualities of fiction as they relate to the qualities of bullshit.
