Literary Criticism
Contemporary Literature
Faith Hahn and
Literary Criticism
Nightwood and the "Terror of Uncertain Signs” Laurentis
Nightwood by Djuna Barnes explores the ambiguity and uncertainty of signs and language through its stark and allusive narrative, challenging the reader's expectations and understanding of meaning.
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For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.
Anastasia Berg • On the Aesthetic Turn | The Point Magazine
The inhabitants of /lit/ see themselves as the victim of anti-canon efforts, as the academy has sought to “decolonise” and expand the curriculum over the past decade. And /lit/’s reaction is hardly unreasonable: there’s a difference between great books (well-written, perhaps undiscovered) and Great Books, which stay in the accepted canon because... See more
How 4chan became the home of the elite reader
Nabokov — Speak, Memory.
Literary texts tend to distort the linearity of narrative sequence, and to reproduce the coexistence and simultaneity of interiorized events that resist conventional linear chronology. The narrative thread unravels freely between past and present, between different temporal planes, combining high and low registers, erudite literary references,... See more
Translation as a Practice of Acceptance - Asymptote
To be honest, my appetite for this sort of online blowup diminishes hourly. Though I’m as prone to schadenfreude as any other media professional trying to hold onto relevance in an increasingly winner-take-all economy, there’s something about watching extremely online people have noisy meltdowns that makes me feel like I’m inhaling my own body... See more
Who Killed Creative Writing?
