How to Look at and Understand Great Art
The Great Courses Course by Sharon Latchaw Hirsh, Ph.D.
How to Look at and Understand Great Art
Signed by Michelangelo to prevent rumors of another artist having done the work.
The first thing is, as with the Constable Hayway, when we saw it all alone, that's most often how works of art are reproduced. They're reproduced just by themselves without the frames or the pedestals. The second thing to keep in mind is not perfect. They're just not. You always have to worry about the accuracy of the color, or the clarity of the
... See moreArt is reproduction. We will always struggle with the authenticity versus the need to retain the knowledge and passing of the torch.
“We always say we know what we like in all things, but also in art. And actually, we like what we know.” - Sharon Latchaw Hirsh, Ph.D.
We always find a way to complain. In modern art, curators and museum directors have to wrangle and contend with the battle of new modern paintings being framed in older boisterous frames or “non-authentically” hung in a more befitting and new-age frame.
