Future of the Arts
Jessica Ryan and
Future of the Arts
They learned that they messed up. A blind spot was revealed to them. In terms of fixing that blind spot, they did a very accessible step for an institution — you educate yourself, you hire consultants, you have a “gender explosion” workshop with your current production. But often that first step of education ends when the workshop is done, which I... See more
Vulture • 1776’s Sara Porkalob Has Some Notes
"Our primary barrier is what I have been saying since I started this job at OSF, and had actually been saying it at the Denver Center too: This industry has relied so heavily on one generation of theatregoer. And that generation has been great to us; they have come to see our shows, they have given us their resources, they have put us in their
... See moreAmerican Theatre • Oregon Shakes Restructures, Scales Back With Eye to Future
this is a 1996 guide on how to help someone use a computer. it’s strikingly resonant with ‘how to be a parent’, or really ‘how to help anyone with anything’. a nice example of “the universal within the particular”
This is shockingly close to how we approach building internet-driven live experiences with our collaborators and clients today 🤯
The cast is a group of women and nonbinary people originating at ART, a very specific institution that has a recent, problematic history with how they approach representation for nonbinary people. What did ART learn or not learn from past experiences?
Vulture • 1776’s Sara Porkalob Has Some Notes
Eleven propositions to the question: What is contemporary about craft?
Julia Bryan-Wilsonarts.berkeley.edu