design
insights on good design + anything else related to design
Jilber Najem and
design
To this day, when someone wants to reference the dollar bill in a design, it’s noticeable how certain visual cues remain—even when the medium and the level of fidelity are completely different. Leveraging mental models from previously established fictions helps create a feeling of familiarity, which in turn helps people believe in the new, emerging... See more
Caio Braga • The aesthetics of our new fictions
“Design should also be sensual and exciting.”
Creatives behind Glossier and Brat explain the new rules of branding
Sottsass came up in a modernist design world that valued rigidity, utility, and simplicity; asking designers to ask themselves what is necessary and drop everything else. As famed industrial designer Dieter Rams has said, “Good design is as little design as possible.” Sottsass epitomizes basically the complete opposite of that.
Sottsass’s work made the case for the necessity of the superfluous. Expressive use of color, form, and decorative elements are elemental to design done well. In the modern era, design is leaning into sensuality and excitement too.
Romualda - Hand painted reversible hats & more
romualda.es
ooga — Gleeda
gleeda3d.com
When Times New Roman appears in a book, document, or advertisement, it connotes apathy. It says, “I submitted to the typeface of least resistance.” Times New Roman isn’t a typeface choice so much as the absence of a typeface choice, like the blackness of deep space isn’t a color. To look at Times New Roman is to gaze into the void.