An almost-funny tragedy is decimating basically every artistic industry: there are too many things. Too many movies, too many shows, way too many songs and books and videos and email newsletters.
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All of which raises another set of questions, about art rather than morals. Which is a better measure of an artwork, its quality on average or its peaks? How should ambition be weighed against execution, jolting insight against missteps, the good against the bad?
Digital abundance is a mixed blessing: exhilarating, yet flattening and homogenizing. Culture is converted into “content” that blurs together as it flows through the same conduits and across the same interfaces in an endless stream. As we struggle to keep abreast of the accelerating flow of content, drawn by the perpetual lure of the new, we come... See more
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