Curation Is King

My latest column at The New Yorker is about the revenge of homepages: Why we're turning toward individual websites as the platform era of the internet continues to disintegrate.

I started working on this piece because I've found myself going to homepages more often. It's a way to get a controlled, curated look at what a publication offers, and a... See more

It’s the same bargain as TikTok and YouTube, but what I’ve found really compelling about FAST TV isn’t the affordability or the solid array of content; it’s how liberating it feels to remove some of the choice from the situation.

As T Bone Burnett once said, “Major labels figured out that catering to people who don’t need music in their lives makes them more money.” Passive streaming is a prime example—when music plays in the background at shops, hairdressers, or when Spotify keeps going after you’ve fallen asleep. Major labels don’t pay for these streams but heavily invest... See more

All of which raises another set of questions, about art rather than morals. Which is a better measure of an artwork, its quality on average or its peaks? How should ambition be weighed against execution, jolting insight against missteps, the good against the bad?