collective dreaming

a place where I can unearth the stories within the landscape as it is still unfolding. It is a place where I can dream of what could be…not only for myself but for the collective, the real world that I’m a part of

What we offer as organizers is not simply alarming information, nor is it the guarantee of success in a particular campaign. We must offer people a vision of how things could be and the opportunity to connect with the people, projects, and movements that can bring this vision to fruition. That is the organizer’s unique gift: an invitation to

• Use your imagination as a way to practice exploring possibilities…and discover the many ways this is connected to real-world hope.

Dreaming asks me to train my attention to constantly critique the white imagination, to be disenchanted by it, bored of it - to ask of something beyond its violent limits. Dreaming asks me to re-educate myself on its radical potential.

If you have ever found yourself hoping for the future, yet, at times, it feels too big or too impossible; I hope you can carve out some space to dream in your own way and keep building on those dreams. Keep imagining what could be, even if you don’t know how it makes sense yet.

“The imagination creates the future,” writes Lewis Hyde, professor and author of the book The Gift: Creativity and the Artist in the Modern World .1

ore often than not, the digital gardens of today are botanic—privately owned online spaces made for visitors to fawn over while a “do not touch” sign looms in view. These private gardens are generative for our personal learning, but they are far from the communal gardens I grew up in that valued collective work and knowledge. Where are the digital