collective dreaming

“The imagination creates the future,” writes Lewis Hyde, professor and author of the book The Gift: Creativity and the Artist in the Modern World .1

‘Engaging with the future … imagining that we are willing to author it together as opposed to having it given to us, is important. And “radical”’ is to say that we should be ambitious and slightly crazy and idiosyncratic about how we think that future could be,’ he told me. ‘It shouldn’t just be a future imagined by politicians, technologists and p

ore often than not, the digital gardens of today are botanic—privately owned online spaces made for visitors to fawn over while a “do not touch” sign looms in view. These private gardens are generative for our personal learning, but they are far from the communal gardens I grew up in that valued collective work and knowledge. Where are the digital

We’ve been told that doing “good work” will lead to economic success, but really, it might just be the other way around. With the help of large collective organising, worker-driven structures, and knowledge-sharing, we can accomplish better work conditions and more beautiful, more fulfilling creative work.”

• Use your imagination as a way to practice exploring possibilities…and discover the many ways this is connected to real-world hope.

There isn’t only one kind of person that can imagine what a better world could look like, whether it’s fictional or not

We define a shift as social, political, economic and/or cultural transformation. From our perspective, we want shifts in the direction of ecological resilience and social equity, as an imperative. We believe that shifts can emerge from collective “aha” moments when social movements awaken the popular imagination to new possibilities and spark socia