Books I want to remember
Piranesi a book by Susanna Clarke
bookshop.orgI write down what I observe in my notebooks. I do this for two reasons. The first is that Writing inculcates habits of precision a carefulness. The second is to preserve whatever knowledge I possess for you, the Sixteenth Person.
I am guilty of bad practice. Only one system of numbering is needed. Two introduces confusion, doubt, uncertainty, doubt and muddle. (And is aesthetically unpleasing.)
In accordance with the first system I have named two years 2011 and 2012. This strikes me as deeply pedestrian what happened two thousand years ago which made me think that year a good starting point. According to the years names like 'The Year I named the Constellations' and 'The Year I counted and named the Dead each year a character of its own. This is the system I shall use going forward
For the first day or two I felt stunned, overwhelmed. I could only apprehend my felicity; I was too confused to taste it sincerely. I wandered about, thinking I was happy, and knowing that I was not. I was in the condition of a prisoner in the old Bastile, suddenly let loose after a forty years' confinement. I could scarce trust myself with myself. It was like passing out of Time into Eternity—for it is a sort of Eternity for a man to have his Time all to himself. It seemed to me that I had more time on my hands than I could ever manage. From a poor man, poor in Time, I was suddenly lifted up into a vast revenue; I could see no end of my possessions; I wanted some steward, or judicious bailiff, to manage my estates in Time for me. From “The Superannuated Man” 1823
mist comes right then, laying the salt air gently on the fruit, you have something that money can’t buy and chefs can’t create. A perfect, lightly salted blackberry. You can’t make them; it has to come with time and nature. They’re a gift, when you think summer’s over and the good stuff has all gone. They’re a gift.”’ Our path, our magnificent walk, was slipping away from him. Hold on to it, Moth, hold it tight; it’s ours, our bright light in the mess of our lives.
Fiona Wright • The Last Migration by Charlotte McConaghy review– aching, poignant and pressing debut
Lauren Elkin • Florida by Lauren Groff review – rage and refusal as Earth reaps the whirlwind
because to some people it looks like a big empty space with nothing in it, but for us, it’s a really important place filled with wildlife and lovely, wonderful communities, and we wanted to protect them.’ She’d appealed to the critical difference between ‘space’ and ‘place’ – one a malleable territory largely Irreplaceable: The fight to save our wi
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