art

Unlike a more classic European operatic takedown of capitalist America—like Kurt Weill and Bertolt Brecht’s brutal “Aufstieg und Fall der Stadt Mahagonny”— these productions seem committed to imitation rather than meaning. They never elevate their scattered details to the level of myth. The productions are a collection of curios, a dress-up that... See more

The prescriptive forms of the art world, as in the real world, alienate us from ourselves and our neighbors. It’s normal to make art. This is a manifest truth that is obscured by the institutional imperative to contain and monopolize awe.