Susan Sontag cited by Miller: “What is important now is to recover our senses. We must learn to see more, to hear more, to feel more.... In place of a hermeneutics of art we need an erotics of art.”
Unlike a more classic European operatic takedown of capitalist America—like Kurt Weill and Bertolt Brecht’s brutal “Aufstieg und Fall der Stadt Mahagonny”— these productions seem committed to imitation rather than meaning. They never elevate their scattered details to the level of myth. The productions are a collection of curios, a dress-up that... See more