Academia
What this points to is a critical change in the rhythms of everyday life which occur almost as collateral damage of the development in computation and their deployment in art and media. The French philosopher Henri Lefebvre created the term ‘rhythmanalysis’ to discuss these processes. For him, to understand a society you had to analyse its rhythms ... See more
Alfie Bown • Digital Frontier
Late 20th century media was a universe of legible, cohesive objects—films, books, shows, albums, people—which audiences largely experienced as complete entities, not necessarily due to anyone’s preference but because this was the most practical way to read them. Today’s media is a tangle of streams, flows, and feeds that mingle promiscuously and of... See more
Drew Austin • Microdosing Life
we have moved from a culture dominated by entertainment, to one that is dominated by digitally mediated distraction, which in turn generates a culture of addiction, or, as Gioia memorably puts it, Dopamine Culture.
L. M. Sacasas • Desire, Dopamine, and the Internet
The ambience of ambient TV is often predicated on homogeneity; any diversity or discordance would disrupt the smooth, lulling surface. (“Emily in Paris” almost entirely stars white actors, too.) The lurking subtext of “Dream Home Makeover,” a kind of soft-white capitalist nationalism cloaked in throw pillows, brought to mind for me the architect Re... See more
Kyle Chayka • “Emily in Paris” and the Rise of Ambient TV
In the two-thousand-tens, there was a brief vogue for “slow TV,” reality television of unedited reality, such as a more than seven-hour real-time video of a train ride from Bergen to Oslo, shot in 2009, and a Norwegian production, in 2016, showing twelve hours of the extreme tidal current in the strait of Saltstraumen. The durational videos inspire... See more
The New Yorker • “Emily in Paris” and the Rise of Ambient TV
Culture isn’t stagnating; it’s evolving in ways that we’re struggling to recognize and appreciate. The challenge lies not in reviving what’s dead, but in developing the language to understand what already exists.
Default Friend • No, Culture is Not Stuck
Much has been said about memes as art and the collective labor and imagination that goes into their creation, but it extends further than that. It’s not just memes. Creating mood boards on Pinterest or curating aesthetics on TikTok are evolving art forms, too. Constructing an atmosphere, or “vibe,” through images and sounds, is itself a form of sto... See more
Default Friend • No, Culture is Not Stuck
The Internet was supposed to democratize everything, do away with gatekeepers and in some cases, craft. We were prepared for that: the masses overtaking the institutions.
But that’s not what happened. The gatekeepers and the craft both changed. And with it, so did ideas around authorship. It wasn’t a simple fight between independent creators and es... See more
But that’s not what happened. The gatekeepers and the craft both changed. And with it, so did ideas around authorship. It wasn’t a simple fight between independent creators and es... See more
Default Friend • No, Culture is Not Stuck
Last year Sinéad O’Sullivan had a great piece in The New Yorker arguing that no one bothers to argue that Taylor Swift’s songs are musically innovative. But since her music connects with so many people, it must be good, and therefore, critics are on a mission to find the innovation somewhere . For Kornhaber, Swift has been “pioneering a futuristic ... See more