Chad Aaron Hall

“Our only goal when we started was to make anything we wanted and only what we wanted.”

My reason is existential. By writing the things that pop into my head down into my notebook, I teach my brain that those ideas - my ideas - are worthy of being written down at all.

Each note becomes another brick of the house I’m building, a monument to a simple yet elusive truth: that what I notice is worth noticing.

Slow Media respect their users . Slow Media approach their users in a self-conscious and amicable way and have a good idea about the complexity or irony their users can handle. Slow Media neither look down on their users nor approach them in a submissive way.

To me, the answer seems clear: because corporations have convinced most governments, scientists, journalists, and media outlets that their products are safe.

In context, these artists (like the psychedelic hippies of yore) were being literally countercultural—using culture against itself to violate the hegemonic push toward, in Allin’s and Rice’s case, neoliberal “responsibilization.”

I can't think of anyone more determined than the Collison brothers, and when you point out a problem to them, they not only listen, but listen with an almost predatory intensity. Is there a hole in the bottom of their boat? Probably not, but if there is, they want to know about it.

It's the same with most successful people. They're never more

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