Zen in the Art of Archery
it is necessary for the archer to become, in spite of himself, an unmoved centre. Then comes the supreme and ultimate miracle: art becomes “artless”, shooting becomes not-shooting, a shooting without bow and arrow; the teacher becomes a pupil again, the Master a beginner, the end a beginning, and the beginning perfection.
Eugen Herrigel • Zen in the Art of Archery
Bow and arrow are only a pretext for something that could just as well happen without them, only the way to a goal, not the goal itself, only helps for the last decisive leap.
Eugen Herrigel • Zen in the Art of Archery
have no alternative but to recollect in detail all the resistances I had to overcome, all the inhibitions I had to fight down, before I succeeded in penetrating into the spirit of the Great Doctrine.
Eugen Herrigel • Zen in the Art of Archery
The “Great Doctrine” of archery tells us something very different. According to it, archery is still a matter of life and death to the extent that it is a contest of the archer with himself; and this kind of contest is not a paltry substitute, but the foundation of all contests outwardly directed—for