
'He goggled like a fool at the shrieking paullo-post-Expression of the Last Supper hanging on the wall fornenst him, livid in the restless yellow light, its thirteen flattened flagrant egg-heads gathered round the tempter and his sop and the traitor and his purse.' 2/6 https://t.co/jF3xj5Lr0K



As a watchman I can use this picture in something like the way it was intended to be used, and for that I am grateful. An artist in the fourteenth century wouldn’t have dreamed that one day there would be art connoisseurs and textbooks dedicated to something called art history. In Bernardo Daddi’s mind the painting must have been a kind of machine
... See morePatrick Bringley • All the Beauty in the World
I sympathize with our unhappy customer. But, though I’m not a Christian, I adore the Jesus pictures. Pacing these galleries is like paging through a family photo album of a grim but exceptionally intimate kind. There are the baby pictures: Adorations, Holy Familys, Virgin and Childs. There are moments of transition in a young man’s life: Baptisms,
... See morePatrick Bringley • All the Beauty in the World
Crucifixion by Antonello da Messina.
John Berger • Bento's Sketchbook
When I spotted her, she was framed by a work more brutal and beautiful and even more truthful than the one I had found. It was painted by a master called Niccolò di Pietro Gerini, a Florentine working in the fourteenth century. Against a featureless gold background, it depicted a young man who was very beautiful but bluntly dead, supported bodily b
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