At Japanese Museums, Art and Nature Merge - WSJ
Wavetable • Liquid Learning - The Edutainment 3.0 Report
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Jonathan Brandel • Write with Open Access
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NAKAMURA: That is one of the points at issue. Behind the reason nature was preserved in the past was a certain sense of aesthetics, which was supported in major or minor ways by a sense of religion. Today, we live in an irreligious manner, so we have separated aesthetics from religion. This has weakened the status of beauty in our time.
Hayao Miyazaki • Turning Point: 1997-2008
Tokyo to visit Rokuyosha, a…
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Kyle Chayka • Filterworld
the Modern West has bred new strains of iconoclasm. It did, after all, give rise to the museum, which arguably attenuates images’ political force. Pivotal in this history was the transformation of the Louvre Palace into a museum for housing political and religious artifacts of the old regime as objects of formal value.8 Just so, the museum both pro
... See moreNatalie Carnes • Image and Presence: A Christological Reflection on Iconoclasm and Iconophilia (Encountering Traditions)
If museums don’t let more of the world in soon, soon the world will let fewer museums in. - Jerry Saltz
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Todd Presner • The Digital Humanities Manifesto 2.0
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The ultimate enriched environment is nature. Nature is the most aesthetic of places, because it is our original home. Nature appears throughout this book, as an aesthetic experience that neuroaesthetic researchers have been studying, and as a way to enliven the senses through uses of color, shape, smell, pattern, touch, and sight that emulate the n
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