
Women & Power: A Manifesto

To put this the other way round, we have no template for what a powerful woman looks like, except that she looks rather like a man.
Mary Beard • Women & Power: A Manifesto
course they do, because they underpin an idiom that acts to remove the authority, the force, even the humour from what women have to say. It is an idiom that effectively repositions women back into the domestic sphere (people ‘whinge’ over things like the washing up); it trivialises their words, or it ‘re-privatises’ them.
Mary Beard • Women & Power: A Manifesto
For the most part, they are portrayed as abusers rather than users of power. They take it illegitimately, in a way that leads to chaos, to the fracture of the state, to death and destruction. They are monstrous hybrids, who are not, in the Greek sense, women at all. And the unflinching logic of their stories is that they must be disempowered and
... See moreMary Beard • Women & Power: A Manifesto
When it comes to silencing women, Western culture has had thousands of years of practice.
Mary Beard • Women & Power: A Manifesto
We have to be more reflective about what power is, what it is for, and how it is measured. To put it another way, if women are not perceived to be fully within the structures of power, surely it is power that we need to redefine rather than women?
Mary Beard • Women & Power: A Manifesto
Contrast the ‘deep-voiced’ man with all the connotations of profundity that the simple word ‘deep’ brings. It is still the case that when listeners hear a female voice, they do not hear a voice that connotes authority; or rather they have not learned how to hear authority in it; they don’t hear muthos.
Mary Beard • Women & Power: A Manifesto
we’re not simply the victims or dupes of our classical inheritance but classical traditions have provided us with a powerful template for thinking about public speech, and for deciding what counts as good oratory or bad, persuasive or not, and whose speech is to be given space to be heard. And gender is obviously an important part of that mix.
Mary Beard • Women & Power: A Manifesto
Under American women’s influence, he insisted, language risks becoming a ‘generalised mumble or jumble, a tongueless slobber or snarl or whine’; it will sound like ‘the moo of the cow, the bray of the ass, and the bark of the dog’.
Mary Beard • Women & Power: A Manifesto
But all tactics of that type tend to leave women still feeling on the outside, impersonators of rhetorical roles that they don’t feel they own. Putting it bluntly, having women pretend to be men may be a quick fix, but it doesn’t get to the heart of the problem.