Saved by Lillian Sheng
Where's Today's Beethoven?
Scott Alexander (slatestarcodex) • Contra Hoel On Aristocratic Tutoring
In 1997, historian David Banks argued in “The Problem of Excess Genius” that, “The most important question we can ask of historians is ‘Why are some periods and places so astonishingly more productive than the rest?’"
Packy McCormick • Conjuring Scenius — Packy McCormick
The Economist • Is TV’s next sure-fire hit, “Disclaimer”, a must-watch or a dud?
Chris Dixon • Words With Web 3’s King: An Interview With Chris Dixon
We are reaching the point where we have to ask not only whether works of larger significance and reach can still be created, but also whether audiences—readers, viewers, listeners—would still know how to take them in if they were.
Sven Birkerts • The Gutenberg Elegies: The Fate of Reading in an Electronic Age
Never before has so much culture been available to so many at such little cost.
There’s just one tiny problem.
Where’s the audience? The supply of culture is HUGE and GROWING. But the demand side of the equation is ugly.
In many cases—newspaper subscribers, album purchases, movie tickets sold, etc.—the metrics have been shrinking or even collapsing.
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