Afrofuturism is typically defined as a Black cultural aesthetic that explores the intersections of the African diaspora and technology––or, in other words, a form of Black science fiction.

Black writer and performer Neema Githere writes about what she calls “ Afropresentism ,” which she defines as a “teaching genre” that “channels your ancestry

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It is helpful to imagine these roadblocks as questions: How do we rediscover ourselves anew? How do we right our collective rememory? Think of rememory as an undoing, unraveling and rewriting of corporeal constitutive elements. In the changingness of rememory, could we find transcendence? Or perhaps a trace of a former history that gives us the

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Collectively, we also need pictures of societal futures that go beyond today’s status quo. They complement but do not replace the necessary work of activism that fights against the injustices of the present. We also need new answers to new problems—the vulnerabilities caused by a more connected world, or by potentially lethal artificial

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