People naturally remember musical language, and I would encourage writers to inject their prose with a bit of music. When you’re writing, think about repetition and variety. Crescendos and rests. Pace and punctuation. Read your work out loud, and feel the rhythm of the words in your voice.

Such considerations of sound and rhythm should go into everything you write. If all your sentences move at the same plodding gait, which even you recognize as deadly but don’t know how to cure, read them aloud. (I write entirely by ear and read everything aloud before letting it go out into the world.) You’ll begin to hear where the trouble lies. S

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