Trust
The isolated, self-sufficient nature of speculation spoke to his character and was a source of wonder and an end in itself, regardless of what his earnings represented or afforded him. Luxury was a vulgar burden.
Hernan Diaz • Trust
So cool
Mildred’s all-too-brief stay among us left indelible traces. She touched everyone with her kindness and generosity. Examples. And I know her kind hand will still be reaching out to generations to come, long after I am gone.
Hernan Diaz • Trust
Soon, tho, an imbalance became obvious: what he could teach me (nature of instruments, procedures, balance sheet analysis, etc.) was finite, while my domain was inexhaustible. Rules + defs. are fixed; conditions + our reactions to them change hourly. True, he’d provided capital. But after a year or so, I’d more than repaid + could’ve, in theory,
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This, she told herself, was the beginning of madness. The mind becoming the flesh for its own teeth.
Hernan Diaz • Trust
Every financier ought to be a polymath, because finance is the thread that runs through every aspect of life. It is indeed the knot where all the disparate strands of human existence come together. Business is the common denominator of all activities and enterprises. This, in turn, means there is no affair that does not pertain to the businessman.
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Proof of the Mildred Bevel Charitable Fund’s success is that it thrives to this day, improving lives of both budding and established artists all over the country. And I
Hernan Diaz • Trust
His unique, discreetly creative approach. Free Banking Era. Opportunities in currency fluctuation, etc. 2–3 examples.
Hernan Diaz • Trust
This is why I stepped in when she decided to help the Institute of Musical Art acquire the Vanderbilt family guesthouse on East 52nd Street to create the Juilliard Graduate School that same year. More details on transaction and personal meaning of taking over Vanderbilt house.
Hernan Diaz • Trust
Since she could not go to concert halls, she brought music home by organizing small recitals in our library. These were unpretentious, informal gatherings. A soloist or a chamber ensemble would play in the second-floor parlor, which has excellent acoustics. A few friends often joined us for these after-dinner programs. I can still see Mildred’s
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