
Trick Mirror: Reflections on Self-Delusion

Everything about this woman has been preemptively controlled to the point that she can afford the impression of spontaneity and, more important, the sensation of it—having worked to rid her life of artificial obstacles, she often feels legitimately carefree.
Jia Tolentino • Trick Mirror: Reflections on Self-Delusion
These deranged takes, and their unnerving proximity to online monetization, are case studies in the way that our world—digitally mediated, utterly consumed by capitalism—makes communication about morality very easy but makes actual moral living very hard. You don’t end up using a news story about a dead toddler as a peg for white entitlement withou
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On Facebook, our basic humanity is reframed as an exploitable viral asset. Our social potential is compressed to our ability to command public attention, which is then made inextricable from economic survival. Instead of fair wages and benefits, we have our personalities and stories and relationships, and we’d better learn to package them well for
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It’s as if what’s signified—sexism itself—has remained so intractable that we’ve mostly given up on rooting out its actual workings. Instead, to the great benefit of people like Ivanka, we’ve been adjudicating inequality through cultural criticism. We have taught people who don’t even care about feminism how to do this—how to analyze women and anal
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“virtue signaling,” a term most often used by conservatives criticizing the left. But virtue signaling is a bipartisan, even apolitical action.
Jia Tolentino • Trick Mirror: Reflections on Self-Delusion
Virtue signaling showing superior morality
The ideal woman, in other words, is always optimizing. She takes advantage of technology, both in the way she broadcasts her image and in the meticulous improvement of that image itself.
Jia Tolentino • Trick Mirror: Reflections on Self-Delusion
each closing has been a reminder that an open-ended, affinity-based, generative online identity is hard to keep alive.