To the Vector the Spoils: On McKenzie Wark’s ‘Capital Is Dead’, PopMatters
Vince Carduccipopmatters.com
To the Vector the Spoils: On McKenzie Wark’s ‘Capital Is Dead’, PopMatters
The overall digital environment is dictated by tech companies with ruthlessly capitalist, expansionary motives, which do not provide the most fertile ground for culture. While the magazine fashion editor may periodically use their ability to pick out and promote a previously unheard voice, the algorithmic feed never will; it can only iterate on
... See moreKyle Chayka • Filterworld
Eichhorn uses the potent term “content capital”—a riff on Pierre Bourdieu’s “cultural capital”—to describe the way in which a fluency in posting online can determine the success, or even the existence, of an artist’s work.
“Cultural producers who, in the past, may have focused on writing books or producing films or making art must now also spend... See more
“Cultural producers who, in the past, may have focused on writing books or producing films or making art must now also spend... See more
Kyle Chayka • How the Internet Turned Us Into Content Machines
The Cult of Yesterday
Capitalism, Necromancy, and the Dark Side of Nostalgia
River Quintana
Feb 09, 2024
Some of the sources of Pop Art VI, Peter Blake
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Capitalism, it seems, can’t let go of the past. Like a necromancer, it reanimates the corpses of bygone trends, ideologies, and aesthetics, then sells them back to us at a markup. This... See more
Capitalism, Necromancy, and the Dark Side of Nostalgia
River Quintana
Feb 09, 2024
Some of the sources of Pop Art VI, Peter Blake
Subscribe
Capitalism, it seems, can’t let go of the past. Like a necromancer, it reanimates the corpses of bygone trends, ideologies, and aesthetics, then sells them back to us at a markup. This... See more