The art-house films of David Lynch are frequently referred to as ‘dreamlike’ because, like dreams, there’s often a dearth of logic to their cause and effect. Those who enjoy such stories are more likely to be expert readers, those lucky enough to have been born with the right kinds of minds, and raised in learning environments that nurtured the

The agoraphobic painter Emma Absinthe, most famous for her series of oil self-portraits portraying herself as the great men of history.