
There's Always This Year: On Basketball and Ascension

Let us consider, again, what it means to have a place as reprieve, a people as reprieve, somewhere the survival comes easy. Should there not be a language for that? A signifier not only for who is to be let in but also who absolutely gotta stay the fuck out?
Hanif Abdurraqib • There's Always This Year: On Basketball and Ascension
And I am a little bit ashamed to say that I also love basketball for the violence of its sounds. The way a ball sounds when it ricochets off of a metal hoop that has been worn down by the seasons. The way that a ball, when it rips through a net, might sound the way a thin leather belt sounds being lashed across a child’s bare skin by a parent who m
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Your ball is your ball, and depending on how you and your folks are livin’, you might not see a new one for a while. And so, of course, praise to the person who made a way with a bald rock, and a little path of concrete that was their concrete, and a rusted rim with no net. Those be the noblest of hoopers. The ones who, back then, you had to keep a
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I’ve got no problem not seeing what I don’t need to see. I’ve got no problem baptizing the mind every now and then. What good is a witness in a country obsessed with forgetting?
Hanif Abdurraqib • There's Always This Year: On Basketball and Ascension
John Glenn took my small hand in both of his hands & I asked him if he was ever afraid & he looked somewhere above my head somewhere beyond even the ceiling & he said I’ve never been more afraid than I have been curious
Hanif Abdurraqib • There's Always This Year: On Basketball and Ascension
the soundtrack that does the signaling here. The sweet, piano-soaked version of “I Shall Be Released” sung by the great Marion Williams, who once helped carry the Famous Ward Singers
Hanif Abdurraqib • There's Always This Year: On Basketball and Ascension
And of course it would have been easier to just actually pray. To push the act of pretending to those lengths instead of actually following through on the work of prayer might suggest that I never wanted my soul saved all that much anyway. This is where a different version of myself might express, here and now, that I’m not proud of this. That I am
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please believe me and my boys made up handshakes that were just ours, ones where we would slap hands and then make new, shared designs out of our bent fingers, pulled back and punctuated with a snap. We would break them out before parting ways at the bus stop to go to our separate schools, and break them out again upon our return at the end of the
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Find the point where you are unkillable and jump toward it if you can.