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The Underground Worlds of Haruki Murakami
The other side is usually a dark place?
Murakami in The New YorkerRead fiction and essays by the author.
Not necessarily. I think it has more to do with curiosity. If there is a door and you can open it and enter that other place, you do it. It’s just curiosity. What’s inside? What’s over there? So that’s what I do every day. When I’m writing a... See more
Murakami in The New YorkerRead fiction and essays by the author.
Not necessarily. I think it has more to do with curiosity. If there is a door and you can open it and enter that other place, you do it. It’s just curiosity. What’s inside? What’s over there? So that’s what I do every day. When I’m writing a... See more
Deborah Treisman • The Underground Worlds of Haruki Murakami
I think life is a kind of laboratory where you can try anything.
Deborah Treisman • The Underground Worlds of Haruki Murakami
I have learned so many things from music about writing. I think there are three important elements: rhythm, harmony, and free improvisation. I learned these things from music, not from literature. And when I started to write, I tried to write as though I were playing music.
Deborah Treisman • The Underground Worlds of Haruki Murakami
I want to do is write serious, complicated, difficult things in a very easy style that is fluid and comfortable to read.
Deborah Treisman • The Underground Worlds of Haruki Murakami
life is a kind of laboratory where you can try anything
Deborah Treisman • The Underground Worlds of Haruki Murakami
I have learned so many things from music about writing. I think there are three important elements: rhythm, harmony, and free improvisation. I learned these things from music, not from literature. And when I started to write, I tried to write as though I were playing music.
Deborah Treisman • The Underground Worlds of Haruki Murakami
I respect the daily routine
Deborah Treisman • The Underground Worlds of Haruki Murakami
I felt that I should come home and see if there was something I could do for the people. Not for the country, not for the nation, not for the society, but for my people—that was my notion.
What’s the difference between the two things—between the country and the people—for you?
People buy my books. The country doesn’t.
What’s the difference between the two things—between the country and the people—for you?
People buy my books. The country doesn’t.
Deborah Treisman • The Underground Worlds of Haruki Murakami
I don’t research when I write novels, because imagination is my asset, my gift.