The Tourist and the Pilgrim

This contributes to what Agnes Callard coins the “locomotive” character that has pervaded modern tourism:

“I went to France.” O.K., but what did you do there? “I went to the Louvre.” O.K., but what did you do there? “I went to see the ‘Mona Lisa.’ ” That is, before quickly moving on: apparently, many people spend just fifteen seconds looking at the

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Or do such Sisyphean philosophies—that “the road is life”—turn out to be bourgeois luxuries indulged by those safe enough to pretend this is all there is? Does the hunger and hope of the migrant show us something more fundamentally human? Maybe our craving for rest, refuge, arrival, home is a hunger that can’t be edited—the heart an obstinate palim

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One of the joys of being a tourist is becoming temporarily inexpert in life’s little rituals, and thus having to attend to them closely: how to greet people, thank them, excuse yourself, show respect.

It is like Jamaica Kincaid said: That the native does not like the tourist is not hard to explain. For every native of every place is a potential tourist, and every tourist is a native of somewhere. Every native everywhere lives a life of overwhelming and crushing banality and boredom and desperation and depression, and every deed, good and bad, is

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