
Saved by Thomas Unterkircher and
The Ten Thousand Doors of January

Saved by Thomas Unterkircher and
“Power, my dear, has a language. It has a geography, a currency, and—I’m sorry—a color. This is not something you may take personally or object to; it is simply a fact of the world, and the sooner you accustom yourself to it, the better.”
freedom isn’t worth a single solitary shit if it isn’t shared.
Sometimes just by telling a story you’re stealing it, stealing a little of the mystery away from it.
“If we address stories as archaeological sites, and dust through their layers with meticulous care, we find at some level there is always a doorway. A dividing point between here and there, us and them, mundane and magical. It is at the moments when the doors open, when things flow between the worlds, that stories happen.”
It’s a profoundly strange feeling, to stumble across someone whose desires are shaped so closely to your own, like reaching toward your reflection in a mirror and finding warm flesh under your fingertips. If you should ever be lucky enough to find that magical, fearful symmetry, I hope you’re brave enough to grab it with both hands and not let go.
Something about having a child bends you back to your beginnings, as if you have been drawing a circle all your life and now are compelled to close it.
Worlds were never meant to be prisons, locked and suffocating and safe. Worlds were supposed to be great rambling houses with all the windows thrown open and the wind and summer rain rushing through them, with magic passages in their closets and secret treasure chests in their attics.
summer in Maine is a fleeting, cautious creature that disappears as soon as the sun sets
Doors are revolutions and upheavals, uncertainties and mysteries, axis points around which entire worlds can be turned. They are the beginnings and endings of every true story, the passages between that lead to adventures and madness and—here he smiled—even love. Without doors the worlds would grow stagnant, calcified, storyless.