The Society of the Spectacle Quotes by Guy Debord
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The Society of the Spectacle Quotes by Guy Debord
Comments on the Society of the Spectacle
Guy Debord critiques the pervasive influence of the spectacle in modern society, exploring its impact on reality, historical knowledge, and individual perception, while arguing against its integrated control over culture and politics.
monoskop.orgHere are the first two sentences of Debord’s The Society of the Spectacle: “In post-industrial societies where mass production and media predominate, life is presented as an immense accumulation of spectacles. Everything that was directly experienced has been replaced with its representation in the form of images.” He wrote that in 1967! Imagine wh... See more
Haley Nahman • #100: New idea trending
Keely Adler added
The Situationist writer, Guy Debord, whose book, The Society of the Spectacle, became the bible of the ‘événements’ in France in 1968, denounced the commoditisation of leisure and accused capitalism of colonising all aspects of life. To view the spectacle –in this case
Elizabeth Wilson • Love Game: A History of Tennis, from Victorian Pastime to Global Phenomenon
Guy Debord’s The Society of the Spectacle: “Debord introduced the concept of recuperation: the process by which subcultural ideas and images become commodified and reincorporated into mainstream society,” she writes. In other words, ideas that subvert the establishment tend to get adapted by the establishment in their most docile forms, and are thu... See more
Haley Nahman • #100: New idea trending
Keely Adler added
This proletariat is being objectively reinforced by the virtual elimination of the peasantry and by the increasing degree to which the “service” sectors and intellectual professions are being subjected to factorylike working conditions.
Guy Debord • Society of the Spectacle
People are always seeing and being seen, and in some ways, owning products does constitute one form of cultural participation. Yet it is also clear that owning goods alone is not a really significant sort of participation.
Toby Shorin • Life After Lifestyle
People are always seeing and being seen, and in some ways, owning products does constitute one form of cultural participation. Yet it is also clear that owning goods alone is not a really significant sort of participation.
Toby Shorin • Life After Lifestyle
Spectacle, he writes, is the expropriation of that possibility; it is the production of a one-way communication that he characterizes as “a generalized autism.”