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The Rise of the Internet’s Creative Middle Class
Perhaps Dixon is right that Web 3.0 will play a role in the future of online creative careers, but it’s also clear that Ball and Enjeti, Hilton Carter, Maria Popova, and any number of successful podcasters didn’t depend on a technological breakthrough of this magnitude to put Kelly’s theory into practice right now. The key to their success seems... See more
Cal Newport • The Rise of the Internet’s Creative Middle Class
In his “1,000 True Fans” essay, Kelly explains that he wasn’t as excited about this new economic model as others seemed to be. “The long tail is famously good news for two classes of people: a few lucky aggregators, such as Amazon and Netflix, and 6 billion consumers,” he writes. “But the long tail is a decidedly mixed blessing for creators.” If... See more
Cal Newport • The Rise of the Internet’s Creative Middle Class
If you’re lucky, perhaps something you post will temporarily spark a surge of engagement, but those same spectators, exhausted by the onslaught, will soon shift their weary attentions to the next recommended item flowing close behind. This relentless pace rewards passive consumption, not active interaction with individual creators. The... See more
Cal Newport • The Rise of the Internet’s Creative Middle Class
Changing attitudes toward social media created another breakthrough for the 1,000 True Fans model. In 2008, few people seemed interested in venturing beyond the social-media ecosystem, because this was where much of the excitement about the Internet was concentrated. As I learned from personal experience, to have expressed skepticism about these... See more
Cal Newport • The Rise of the Internet’s Creative Middle Class
Ball and Enjeti are not immensely popular influencers earning many millions of dollars from a vast audience of followers. But they’re also not toiling away on a show that’s effectively a nonprofitable side hustle. They instead fall into a middle ground that Lanier despaired didn’t exist for creative professionals. The total budget for “Breaking... See more
Cal Newport • The Rise of the Internet’s Creative Middle Class
According to an advertising agency I consulted, for example, a weekly podcast that generates thirty thousand downloads per episode should be able to reach Kelly’s target of generating a hundred thousand dollars a year in income. Earning a middle-class salary by talking through a digital microphone to a fiercely loyal band of supporters around the... See more
Cal Newport • The Rise of the Internet’s Creative Middle Class
According to an advertising agency I consulted, for example, a weekly podcast that generates thirty thousand downloads per episode should be able to reach Kelly’s target of generating a hundred thousand dollars a year in income. Earning a middle-class salary by talking through a digital microphone to a fiercely loyal band of supporters around the... See more
Cal Newport • The Rise of the Internet’s Creative Middle Class
Though “Breaking Points” makes some money from podcast and YouTube ads, the bulk of the revenue comes from a premium-subscription model. If you subscribe at a cost of ten dollars a month, or a hundred dollars for a full year, you gain access to an uncut version of each episode, free of ads, in both audio and video formats.
Cal Newport • The Rise of the Internet’s Creative Middle Class
The same Internet that allows Netflix to help a small number of cinephiles discover an obscure documentary might also allow that filmmaker to be in touch with these same people directly, perhaps converting what Kelly termed “Lesser Fans” into “True Fans,” defined as those “who will purchase anything and everything you produce,” who “will drive 200... See more