
The Museum of Human History

Sometimes he was jealous of Sylvia and how easily she let go of the past. He’d been trying all his life to hold on to it, to make sense of it. Why?
Rebekah Bergman • The Museum of Human History
How, when you curate the past, you change it. The story you tell becomes the story that’s told and everything untold is lost. It’s better than having no story at all, he supposes.
Rebekah Bergman • The Museum of Human History
Why did people have to inflict one pain to stop another?
Rebekah Bergman • The Museum of Human History
That was it. Their first fight. They were both so relieved when it ended that they failed to notice that it wasn’t resolved. There was no answer to the question of altruism. They could drop it, but it would not go away.
Rebekah Bergman • The Museum of Human History
She will think: We disappear so many times before we do, finally, disappear.
Rebekah Bergman • The Museum of Human History
She asked the mustached man what he did for work, realizing a half second later, with some dread, that this question was bound to bounce back at her.
Rebekah Bergman • The Museum of Human History
It had happened with an ease she never suspected could bring success.
Rebekah Bergman • The Museum of Human History
Abe was always noting this aspect of Syl. What he called her belief in a “true human loneliness.” He’d said it was why he loved her the way that he did. He wanted to inhabit that solitude at the core of her. But if he could, then it would be lost.
Rebekah Bergman • The Museum of Human History
We never really know the right things to fear. She let this thought ring in her head for a moment.