The making of Eno, the first generative feature film

What Eno likes about 77 Million Paintings is that he has no idea what will appear on screen, nor what aesthetic effects will be produced. "That's pretty interesting. But what interests me more is the way people experience them. My shows are not narratives. Nothing much happens yet people come and stay for hours in a contemplative state. I thought, ... See more

Rich with access to hundreds of hours of never-before-seen footage and unreleased music, Gary Hustwit’s forthcoming documentary Eno employs groundbreaking technology to accomplish something that’s never been done before: a feature film that’s never the same twice. Hustwit and creative technologist Brendan Dawes have developed bespoke generative sof... See more

"Doesn't it strike you as interesting that we are in the second decade of the 21st century and a lot of the most interesting music is still being made by people playing very primitive instruments like electric guitars and drums.

I mean, what is a drum kit? It could be a bunch of old chairs or cans or anything. It's really quite an arbitrary bunch of... See more