It’s possible that the idea of an “important” work of popular art, like the idea of movie stardom, simply can’t survive the transition to the digital era. The journalist and novelist Ross Barkan has done interesting writing on this theme, borrowing from Bret Easton Ellis’s concepts of “Empire” and “Post-Empire” to describe a shift from the... See more

By the time the Voice had assumed its current semi-undead form, following a 2020 resurrection, the creeping irrelevance of any bounded and singular context—including that of a town, much less “the biggest media town in America”—had become the kind of thing a person might fail to notice while engaged in the ruthless business of noticing everything... See more