The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
Richard Poulinamazon.com
The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
A point simultaneously radiates inward and outward.
Richard Poulin • The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
angled, chevron-like line as a youthful, energetic, authentic, and fun graphic element for the museumgoer.
Richard Poulin • The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
It is an object with zero dimensions.
Richard Poulin • The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
“Design is not about decorating functional forms—it is about creating forms that accord with the character of the object and that show new technologies to advantage.”
Richard Poulin • The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
Form is achieved by integrating depth or volume to the equation of shape.
Richard Poulin • The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
Up to this point in time, film posters usually relied upon a narrow point of view for communicating their story—either a single scene from the film or an image of the featured star of the film—to gain public attention.
Richard Poulin • The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
With photography they explore their surroundings and document examples of point found in surprising and intriguing situations.
Richard Poulin • The Language of Graphic Design Revised and Updated: An illustrated handbook for understanding fundamental design principles
3 X 3-inch (7.6 X 7.6 cm) nine-square layout, further communicating the student’s analysis of relationships in form, color, texture, scale, and contrast between the various images.