Through movies that make the unthinkable enjoyable, wrote Sontag in her 1965 essay The Imagination of Disaster, “one can participate in the fantasy of living through one’s own death and more, the death of cities and the destruction of humanity itself”. Contemplating annihilation can certainly be a valuable means of reckoning with death, loss,

Horizons have shrunk. Novelists and filmmakers seem far more at home with dystopias than with the possibility that the world might get better. The institutions that once fuelled our shared imagination have, for different reasons, given up, leaving public intellectual culture recycling old ideas, while much of politics has drifted into nostalgia.