A lot of typography has roots in calligraphy – someone holding a brush in their hand and making natural but delicate movements that result in nuanced curves filled with thoughtful interchanges between thin and thick. Most of the fonts you ever saw follow those rules; even the most “mechanical” fonts have surprising humanistic touches if you inspect

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To put it in perspective: the font I first assumed was a peer to 1950s Helvetica was already of retirement age the day Helvetica was born. Gorton was older than Gill Sans, Futura, or Johnston’s London Underground font. It was contemporaneous to what today we recognize as the first modern sans serif font, Akzidenz-Grotesk, released but three years

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